Boneville

Bone is an American independently-published graphic novel series, written and illustrated by Jeff Smith, originally serialized in 55 irregularly released issues from 1991 to 2004.

Smith's black-and-white drawings, inspired by animated cartoons and comic strips, are singularly characterized by a mixture of both light-hearted comedy and dark fantasy thriller. The author, Jeff Smith, describes the comics as "a fish-out-of-water story. There are three modern characters who happen to be cartoons in the mold of Donald Duck or Bugs Bunny, and get lost in a fairy-tale valley. They spend a year there and make friends and enemies, finding themselves caught up in the trials and tribulations of the valley, and even a war".

The series was published bimonthly with some delays from June 1991 to June 2004. The series was self-published by Smith's Cartoon Books for issues #1-20, by Image Comics from issues #21-27, and back to Cartoon Books for issues #28-55.

Bone has received numerous awards, among them ten Eisner Awards[1][2][3][4][5] and eleven Harvey Awards.[6][7][8][9][10][11][12][13][14]

In October 2019, Netflix announced the production of an upcoming Bone animated series.[15]

The first volume of the series (Bone: Out from Boneville) follows Fone Bone and his two cousins, Phoncible P. "Phoney" Bone and Smiley Bone. When Phoney's campaign for mayor goes awry, Phoney is run out of their hometown of Boneville (Fone Bone and Smiley helping him run away). After crossing a desert, Smiley finds a hand-drawn map that they use to navigate their way across the fantasy landscape. The cousins are separated by a sea of locusts and individually end up in a mysterious valley. Their journey is made more difficult by the rat creatures that are pursuing them on their travels. Eventually, they joyously reunite at a local tavern called Barrelhaven, where they are taken in by a mysterious girl named Thorn and her even more enigmatic grandmother. Fone Bone instantly develops a crush on Thorn and repeatedly attempts to express his love through poetry. As they stay longer in the Valley, they encounter humans and other creatures who are threatened by a dark entity, the Lord of the Locusts. The Bones, trying to escape to Boneville, are quickly drawn into the events around them, compelling them on a hero's journey to help free the Valley.

The rest of the series is made up of similar quest stories, but with varying settings and plot lines. All of the comics maintain the elements of fantasy and humor that Smith employs in Out from Boneville,[16] as well as the intensity of an adventure story.

The Bone comics are a series of fictional graphic novels, that tells stories of mystery, romance and adventure. Smith claims that the stories were not originally written for an adolescent audience; however, it is this age group that has supported the series most. The novels are written as fantasy stories, following a hero on their quest. They are also meant to be read as a comedy, with elements of sarcasm and exaggeration.

Smith is the author of a few suspenseful mystery novels, but he mainly produces graphic novels. Over the years he has published other graphic novels, written comics for DC Comics and created other comic book series. He is most famous, however, for Bone.[17]

The author and illustrator, Jeff Smith, made the decision to create Bone in the classic black-and-white comic book style. Critics speculate that he did this so that he could maintain the clear lines that allow for exaggerated characters that contrast their subtle, detailed backgrounds.

The background of the story is mainly set in the Valley but Boneville is mentioned throughout. Boneville, although never actually shown, is implied as technologically contemporary: Fone refers to its extensive downtown and has comics for Smiley and a copy of Moby Dick in his pack, Phoney carries dollar bills, and Smiley refers to a PizzaInACup™ and a CornDogHut™. In contrast, the Valley is depicted as somewhat medieval, inasmuch as its citizens employ a barter system, weapons, and modes of transportation similar to those of the Middle Ages, and Phoney persistently refers to the valley people as "yokels".

The series centers on the Bone cousins, bald cartoon characters. The group includes avaricious Phoncible P. "Phoney" Bone, goofy cigar-smoking Smiley Bone, and everyman character Fone Bone. Smith describes the characters in the comics as "modern" even though they possess the "timeless task of combatting evil, in order that goodness may triumph".

The comics take place in a fantasy world. They are known for their adventurous story lines and their humor, but they are also said to have a "darker subtext about power and evil".[16][18]

Author of the Bone comics, Jeff Smith, created the first sketch when he was about five years old, when he drew what looked like an old C-shaped telephone handset receiver. This original drawing, a frowning character with its mouth wide open, resembled characteristics of Phoney Bone, the grouchy cousin to Fone Bone. In 1970, when Smith was ten, he began making these drawings into comics.[19]

The comics had many major influences throughout their creation. For example, Smith tried to pattern Bone structurally around Mark Twain's Huckleberry Finn. He enjoyed how it was a story which "start(s) off very simple, almost like children's stories... but as it goes on, it gets a little darker, and the themes become a little more sophisticated and more complex". Smith was also taken by Carl Barks' character Scrooge McDuck. Smith said that he "always wanted Uncle Scrooge to go on a longer adventure. I thought, 'Man, if you could just get a comic book of that quality, the length of say, War and Peace, or The Odyssey or something, that would be something I would love to read, and even as a kid I looked everywhere for that book, that Uncle Scrooge story that was 1,100 pages long".[20]

Other influences in this regard include the original Star Wars trilogy, J.R.R. Tolkien's The Lord of the Rings and the classic fairy tales and mythologies that inspired those works. Moby Dick, Smith's favorite book, is cited for its multi-layered narrative and symbolism, numerous references to it are placed throughout Bone.[20] Bone was also informed by other comics including Peanuts and Walt Kelly's comic strip Pogo.[20][21][22]

While Smith attended the Ohio State University, he created a comic strip called "Thorn" for the student newspaper, The Lantern, which included some of the characters who later featured in Bone.[23][24]

After college, Smith and his friends produced animation work on commission in their studio, Character Builders Inc., but Smith eventually came to decide that it was not the type of cartooning he wished to do. Drawn to the idea that he could produce his own animated-type story but in the comics medium, and convinced by Frank Miller's The Dark Knight Returns and Art Spiegelman's Maus that a serious comic book with a beginning, middle and end structure was both artistically and commercially viable, Smith decided to produce Bone.[20]

In 1991, Smith launched his company, Cartoon Books, to publish the series.[25] Initially, Smith self-published the book, which meant that he did all the work required to both produce and distribute the series as a business himself, including answering letters, doing all the graphics and lettering (which he did by hand), sending the artwork to the printer, handling orders and bookkeeping. This made it difficult to focus on writing and drawing the book, and as a result, he fell behind in his production. To remedy this, he asked his wife, Vijaya, to quit her lucrative job at a Silicon Valley startup company to run the business side of Bone as the President of Cartoon Books. As a result, Smith was able to refocus on drawing, and sales improved.[20] In 1995, Smith began publishing Bone through Image Comics. Smith believed this would be a temporary arrangement, and to maintain the book's place in catalogs, the collected volumes remained under the Cartoon Books label.[26] During the title's time at Image, the first 27 issues were reprinted by Image with new covers, which are distinguished by the Image logo in the upper left-hand corner of the cover. The Cartoon Books printings have black back covers, inset with a single panel reprinted from inside. First printings can be distinguished from later printings by changes in the color of the logo on the front cover. The comic and its story ended with its 55th issue, dated June 2004. The back cover has, in place of the usual comic panel, a black-and-white photo of Smith in his studio drawing the last page on May 10. In an interview on Attack of the Show, Smith revealed that he drew the last page before working on the first issue.[27] The 55 issues have been collected into the following volumes.

Other books published in the color series but not part of the main storyline are the prequel Rose, illustrated by Charles Vess; the Bone Handbook; and Tall Tales, which has a new story surrounding reprints of the Big Johnson Bone story, the Disney Adventures story, and a few new tales.

Issues from the Out from Boneville collection were also reprinted in the digest-sized children's magazine Disney Adventures, first in 1994 and later in 1997 through 1998.[28] The issues usually consisted of 7–9 pages a month and were colored. The pages were also censored to remove smoking and drinking references and any innuendo involving Thorn and Fone Bone.[citation needed ] There was also an exclusive story for Disney Adventures by Smith, featuring Fone and Phoney following a "treasure map".

The series was split into three-story arcs, each having two names, one being the original arc name, the other being the name used in the one volume edition, respectively as follows. The first arc lasted from issues #1–19 (volumes #1–3, June 1991 – August 1995) being named Vernal Equinox, or The Valley.[29] It was the longest running arc (in terms of time) running for four years and one month. The main story in issue #13.5, "Up on the Roof", was reprinted as chapter six in The Great Cow Race collected edition, therefore making it part of Vernal Equinox. The second arc was named Solstice, or Phoney Strikes Back. The arc lasted from issues #20–37 (volumes #4–6, October 1995 – August 1999). It is tied as the longest running arc in issues with the third arc (lasting 19 issues). The third arc, Harvest or Friends & Enemies, lasted from issues #38–55 (volumes #7–9, August 2000 – June 2004).

From February 2005 to January 2009, Scholastic Inc. (through its new Graphix imprint) began reissuing in both hardcover and paperback the individual volumes in full color by Steve Hamaker. In 2006, HarperCollins began publishing the full color editions for the UK market.[30]

In the color editions, the following changes were made:

The series was also reprinted in color under HarperCollins Children's Books, the fourth individual reprinting for the first three volumes and the third individual reprinting for the last six volumes. The first three volumes have been published in 2005, 2007, and 2009, respectively, though it is unclear whether the last six volumes will be reprinted.

The special 1,332-page, one-volume edition (ISBN 1-888963-14-X) was released originally for $40 (USD) through Jeff Smith's Cartoon Books imprint in a paperback volume. This special print of the entire adventure was to celebrate the end of the series and the commencement of every collection in the series being reprinted in color through Scholastic Press. First released in 2004 and promoted as only a limited print run being available, this edition has had several reprintings to keep it available.

In addition to the one-volume paperback, a signed limited edition hardcover edition of the one-volume book was issued. The deluxe hardcover featured gold embossed lettering on the cover, gilded edges, and a cloth ribbon bookmark. The end pages are printed with a map of The Valley and it comes with a full-color signed and numbered bookplate. This limited edition pressing of the book originally sold for around $125 (USD) and was initially limited to 2,000 copies. The series has been reprinted 13 times, also featuring a signed limited edition of the 13th pressing version sold during November 2009.

The collection won the 2005 Eisner Award for Best Graphic Album-Reprint,[31] and was listed at No. 3 in Time magazine's "Best Comix of 2004". Reviewer Andrew Arnold said of the collection, which was published at the conclusion of the monthly series: "As sweeping as the Lord of the Rings cycle, but much funnier...Smith imbues even simple dialogue panels with animation. Now that it's finished Bone should join the ranks of Lord of the Rings and Harry Potter in the young adult pantheon".[32]

In November 2011, for its 20th anniversary, a full-color, one-volume edition was released. It has a special section in the back with a cover gallery of the original comics, an illustrated timeline of Bone's 20-year history, and an essay by author Jeff Smith. A special edition was also released that included the book, a signed print by Jeff Smith, a Phoney Bone gold coin, three pewter bone figures of Fone Bone, Phoney Bone and Smiley Bone, a copy of The Cartoonist documentary DVD, a miniature facsimile of the original Bone comic No. 1 and a big red box with a picture of Fone on it to hold it all.[33]

Both prequels and sequels to the main storyline:

This was a Hero Premiere Edition bundled with Hero Illustrated magazine. It includes a short story where the Bone cousins celebrate Winter Solstice, and also a Jeff Smith interview and sketches. It is featured in the Crown of Horns collection and the final issue of the series.

This was a free comic book mail-in offer through Wizard magazine. As was also common with Wizard magazine comic offers, there was a special gold foil cover variant where the Bone title on the cover is embossed in gold foil. It came in a rigid mylar sleeve and a certificate of authenticity. There is a short story that fits in between No. 13 and 14 of the regular series, and is included in Bone Vol. 2: The Great Cow Race. This special also includes a Jeff Smith interview and sketches.

This was a free promotional book given out at 1995 San Diego Comic-con and it also polybagged with Wizard magazine. This sourcebook was published to celebrate the move of the Bone series from self-publishing to Image Comics, where it stayed for only 7 issues before Jeff Smith took it back to self-publishing.[39]

It includes an introduction by Jeff Smith & biography, character profiles, color poster by Jim Lee, story timeline, upcoming storyline, and shipping schedule.

To celebrate its 10-year anniversary, a special color edition of Bone No. 1 was released with a free collectible Fone Bone PVC figure and a full color Phoney Bone Gazillion dollar bill. This special edition included a new cover, a new afterword by Jeff Smith, and an illustrated eight-page commentary by comics historian R. C. Harvey, and the original artwork was digitally remastered in full color.

To celebrate its 25-year anniversary, Cartoon Books released BONE: CODA, a 120-page graphic novel that includes a 32-page short story featuring the Bone cousins returning to their home town of Boneville after the events of the last issue of BONE series. [3][4]

His name is derived from Fonebone, the recurring surname that Don Martin gave to many of the characters that appeared in his Mad magazine strips.[40] Wizard magazine ranked Fone Bone as the 28th-greatest comic book character of all time.[41] IGN also ranked Fone Bone as the 60th-greatest comic book hero of all time, stating that "his good nature and his unrequited love for his ally Thorn make Fone the heart and soul of this fantastical book."[42]

Seemingly a simple farm girl, it is soon revealed that she is heir to the throne of Atheia. She is also a "Veni-Yan-Cari" (the awakened one), one who can see into the "dreaming", a kind of parallel existence, or "spirit world". Thorn has excellent courage as well as fantastic powers, such as escaping through a landslide blindfolded, flying, and jumping a castle wall without injuring herself. In a sense she can do anything if she can "concentrate her dreaming". Fone Bone falls in love with her at their first meeting. She starts off sweet and innocent, but later in The Dragonslayer, when the seriousness and reality of everything dawns on her, she takes on a more mature and tougher personality.

Thorn's grandmother, a tough-as-nails farmer who races against cows on foot as a hobby, and always wins. An immensely strong person, it is revealed that she is the former Queen of Atheia who escaped to Barrelhaven with Lucius Down to protect and safeguard Thorn.

A large, gruff, older man who was described as over seven feet tall and over 300 pounds. Lucius was so powerful he could scare even Euclid into submission. He runs the Barrelhaven Tavern, and was the foil for almost all of Phoney Bone's schemes. In the later books we find that Jonathan Oaks was like a son to him. He was previously Captain of the Queen's guard and it was hinted he had a history with Gran'ma Ben, only to reveal later that he had 'picked the wrong girl', instead falling in love with her sister, Briar, whose motive in the affair was to hurt Rose. He was later in love with Rose Harvestar. Before the Rat Creatures destroy his tavern, he relocates to Old Man's cave, where he becomes Captain of an ill-equipped infantry of Barrelhaven farmers. After the volcano erupts, he leads the farmers and Veni Yan south, arriving in time for the battle on Sinner's Rock. When the Hooded One prepares to kill Rose, Lucius grabs onto her just as she is destroyed; the resulting surge in power kills Lucius. His body is later taken north and buried behind the rebuilt Barrelhaven Tavern.

The son of the great dragon Mim, The Great Red Dragon is often Fone Bone's last-minute savior. The Red Dragon appears when he is most needed. Gran'ma Ben does not trust him, regardless of how many times he has saved her or her friends from harm. The Great Red Dragon seems to be incredibly ancient. In a sequence that shows the land during the Dragons' reign, supposedly the beginning of time, the Great Red Dragon can be seen fighting Mim along with other dragons. As said in the prequel Stupid, Stupid Rat Tails, he is Mim's son and he was part of the group that trapped her in stone when the Valley was made. He took care of Thorn during the Great War while Rose searched for a place for them to hide. He is also seen at the end of Stupid, Stupid Rat Tails during the time of Boneville's founding by Big Johnson Bone. Fone Bone indicates that he has a baritone voice.[43]

The dragon itself does not appear to have a name, beyond "The Great Red Dragon". If he has one, it is unknown to anyone but himself.

A small, often outspoken villager who works for Lucius at the Barrelhaven, and views Lucius as a hero. He was saved from an ambush from the rat creatures in Old Man's Cave after being wounded severely. It was then thought/hinted largely that he did not survive the wounds in Ghost Circles, but in Treasure Hunters it is mentioned he possibly did survive.

One of Lucius' tough "bar-room boys" and the tinsmith of Barrelhaven. Outspoken in the early issues (he and Euclid have more than once threatened to trounce Phoney Bone), he becomes more introverted once the reality of the war presents itself. He often changes sides and his mind. He goes from hating the Bones and stick-eaters to following them, then hating the Bones again. He seems to be a powerful ally to have in his village and is often followed by the villagers when he changes sides. Despite his skinny appearance, he is implied to be just as strong as Euclid.

Along with Jonathan and Wendell, one of the "bar-room boys". He is depicted as very large and muscular, and often wishes to resort to physical force to solve problems. He is consumed by a ghost circle after the volcano explosion, but returns after Thorn destroys the ghost circles.

A third bar-room boy. Is almost always present near Wendell, Euclid, and Jonathan, but rarely speaks. None of his comments give much of a hint to his personality. It is implied that he is a total follower with little or no influence.

A helpful Acanalonia bivittata, or planthopper, who appears as a recurring supporting character. Often mistaken for a leaf, Ted is the first creature Fone Bone encounters when he enters the valley and the two become fast friends. He harbors a strange link to the Red Dragon and has an older brother who is several hundred times his size. He is able to perform magical enchantments and has the ability to detect Ghost Circles.

A female opossum who is the mother to the three possum kids, she is likewise a caring, motherly figure to everyone in the valley. She often has something to give to Fone Bone when she sees him, such as sealing putty, which Fone mistakenly eats a little of.

Three young opossums with a thirst for adventure. They have a knack for getting into trouble which then Fone Bone saves them from, but they are resourceful and cunning, and play a significant part in Rock Jaw. The possums look suspiciously like Pogo the possum from Walt Kelly's comic strip.

Servant of the Lord of the Locusts, Kingdok's superior, and the main antagonist. It is implied that The Hooded One is a former Veni Yan warrior, as she wears a similar robe and hood. It is later revealed that the Hooded One is Briar Harvestar, the elder sister of Gran'ma Ben and the grand-aunt of Thorn. It is heavily implied that her antagonism is based on nothing more than jealousy of Rose, who was apparently her mom's favorite between the two and had the affection of Lucius. When the Rat Creatures invaded in the great war, she betrayed the Royal family by showing the Rat Creatures the secret escape passage Thorn had used to escape the palace. When the King, Thorn's father, learned of this betrayal, he cut her in half with an abandoned harvesting scythe, which the Hooded One now carries as a weapon that can now cut through steel and rock. Briar was possessed and resurrected by a swarm of locusts. She is killed when her master, the Lord of the Locusts, is destroyed. It is suggested by some of her actions throughout the storyline that being the servant of the Lord of the Locusts drove her insane.

A giant rat creature, ruler of the horde of rat creatures and lackey of the Lord of the Locusts. Although he is ego-maniacal and cruel, he is prone to superstition and easily manipulated by The Hooded One. He carries a golden spiked club around with him, until Thorn cuts off his right arm. Roque Ja at one point attacks Kingdok and rips out his tongue, which he keeps as a trophy. A possible continuity error is that while Roque Ja is bragging about owning the tongue, Kingdok cannot speak, but later speaks clearly to the Hooded One; after that, he attempts to say "kill you", and it comes out "gill yoo", just as one would speak without a tongue. This may be an effect of the Hooded One's power; while the Hooded One is alive he can speak, but after she is destroyed he cannot. Afterwards, Kingdok spends most of his time lumbering about underground to reach the Crown of Horns. At the end of the novel, he faces Thorn before she can touch the Crown of Horns. Having been stripped of his authority, dignity, and physical health over the course of the series, he demands that Thorn face him in a life or death battle. He reveals that he had been the one to kill her parents by eating them, and proceeds to bite Thorn's leg when she tries to get around him. He dies when Thorn stabs him shortly thereafter.

Two rat creature soldiers, one blue, one brown, who have a particular interest in devouring the Bone cousins, and Fone Bone in particular. The two are rather incompetent, once deserting the army after their disobedience costs Kingdok his arm and later allying with the Bones briefly before returning to their own side. They address each other as "comrade". Fone Bone is the one who dubs the two "Stupid, Stupid Rat Creatures", most commonly when they are hanging off the side of a cliff. Occasionally other characters also refer to them as such. Fone Bone is also usually credited with coining the term "Rat Creatures" itself; however, he actually got the name from the possum kids. In Rat Creature tradition only royalty are allowed to have names, but in the spin-off novels "Quest for the Spark" two young Bones gave them the names "Stinky" and "Smelly".

As it stands, the proper name of their species appears to be Hairy Men. Named after some incidents where one, or both, clearly emphasize their title, they in turn call Fone Bone "Small Mammal". In a running gag throughout the series, the brown rat creature often suggests cooking Fone Bone in a quiche. The other rat creature then flies into a rage, insisting that 'dainty pastry foods' are 'unfit for monsters', and that they should eat him in a stew—though he did once in a fit of anger declare an intention of eating Fone Bone raw, and on another occasion, when they were starving, told his comrade that he would not mind some of his home-made quiche. Later, Fone Bone himself delivered to the two some 'piping hot quiche' when he found them shivering in a bush after the Hooded One's defeat. They also have a major role in Quest for the Spark.

A purplish baby rat creature found by Fone Bone and adopted as a pet by Smiley Bone (who also gave him his name). After the Bones' first encounter with Roque Ja, Bartleby returns to the fold of the Rat Creatures, though is out of place there and returns to the Bones later after growing a little. He became a good friend to Smiley and when they left for Boneville, he went with them. Bartleby was named by Shaenon K. Garrity,[44] for the title character in the short story "Bartleby, the Scrivener" by Herman Melville. Unlike the other Rat Creatures, Bartleby has round ears. He explains that the Rat Creatures are supposed to get their ears cropped and that he ran away before they could do that to him. Bartleby also explains that the first time he ran away from the Rat Creatures was after he got his tail chopped off. He states that all Rat Creatures are born with beautiful, long, hairless tails, but all the Rat Creature cubs have their tails chopped off around the time they turn one year old. This is due to their belief that a sort of boogie man named 'The Jekk' will drag them away in their sleep by their tails. In the prequel book Stupid, Stupid, Rat-Tails, we learn that the Bone cousins' forefather 'Big Johnson Bone' is the fabled boogie man they fear, having come to the Valley hundreds of years earlier and fighting the Rat Creatures by swinging them around by their tails. In a sequence depicting the land during the Dragons' rule, Rat Creatures with long tails can be seen in the distance.

A huge mountain lion and an adversary to Kingdok who views himself as neutral in the conflict between the humans and the Lord of the Locusts despite lopsided affiliations. He is the guardian of the Eastern Border. His personal views are that there is no such thing as "good" and "evil", only that power matters above all and that friendship and love are meaningless. He despises both Dragons and Rat Creatures but works for the Hooded One in exchange for land and spoils of war. His name is mispronounced as 'Rock Jaw' by the Bone cousins. His size also varies in the books sometimes being smaller than Kingdok to being large enough to fill a huge gap in the mountain side.

Roderick is a young raccoon whose parents were killed and eaten by the two stupid rat creatures. He is the leader of a large group of orphaned animal children living in the mountains. Roderick is the only one named, and the complete group consists of a beaver, a boar, a second raccoon, two birds, a rabbit, a porcupine, a turtle, two snakes, a squirrel, and a chipmunk. Roderick the Raccoon is a main character in the Quest for the Spark, though he is now older and friends with Tom Elm, another main character in the trilogy.

The new Rat Creature king in Bone: Legacy, who replaces Kingdok following the latter's death. Like Kingdok, he hates the two Stupid Rat Creatures. After the duo steal a dead squirrel from him, he becomes obsessed with revenge. Agak and his army are starving, and are convinced that they can cure their hunger by eating the Bones.

The unseen dark lord who serves as the source of all conflict in the series. He is an evil, formless "nightmare" trapped inside a mountain, and appears in the form of a locust swarm to his henchmen and followers. He is powerless on his own, and relies on possessing others in order to accomplish his goals. He is even capable of reviving the dead, seen primarily with Briar. He is killed when Fone Bone and Thorn, bearing a piece of the Locust themselves in their souls, touched the Crown of Horns.

The benevolent queen of the dragons, considered to be the creator of the valley. She kept the world in balance by putting her tail into her mouth so that her body forms a circle, and perpetually spinning, until she was possessed by the Lord of the Locusts, turning her irrational and violent. The other dragons were forced to turn her to stone to seal the Lord of the Locusts. Her awakening was said to be the end of the world, but when the Lord of the Locusts was destroyed, an aged Mim returned to her function followed by all of the other Dragons besides the Great Red Dragon.

A mysterious clan of hooded warriors, who respect dragons as the supreme rulers of the land. Distrusted by the townsfolk (who came up with the derogatory term "stick-eater") but trusted by Lucius, though often they do not trust him in return. They are loyal to the royal family even after Grandma Ben and Thorn went into exile and immediately recognizes Rose's authority upon her return to the capital. For much of the series, they serve as a channel of communication between the capital, Lucius, Grandma Ben, and Thorn.

The leader of the Venu and most powerful soldier. He is distinguished with a fur vest with bronze tokens. In the series, two appear. The first is the current one who has a feeling that the world is ending. The second one is retired in the city of Atheia and is the headmaster that appears in "Rose".

The ruthless leader of the Vedu. He is missing an arm and has a large scar down the length of his face, injuries he claims to have obtained while fighting dragons. He wears a large earring on one ear, and his beard in two separate parts each wrapped in a piece of cloth. He does not respect the monarchy of Aethia claiming that the throne is dead, even when Rose and Thorn return. He is killed by Briar in front of his own people, effectively ending his rule.

A separatist group of Veni Yan who are led by Tarsil. Although they wear similar hoods to the Veni Yan they are distinguishable by the eye on their hoods. The Vedu do not worship, or even respect, dragons, claiming that they have all gone into hiding or are uncaring enough to ignore their people. They have kept order in Aethia for much of the time that Rose and Thorn were in exile, and claim that things are better that way. However, some people disagree and continue to set out dragon shrines, which are forcibly removed by the Vedu.

Bone had only six issues published when it was selected for "Palmer's Picks" by Tom Palmer, Jr., who commented that "Smith's artwork is deceptively simple. He doesn't use much flash, yet he is a master of conveying gesture and body language for both humorous and dramatic effect". He also noted that "the series has only recently begun, yet it has been met with enormous amounts of critical praise from people ranging from Will Eisner to Peter David".[45]

Michael Arner from PopMatters.com was initially not impressed with the black and white artwork, and at first disappointed at the ending, hoping for a more conclusive dénouement. However, he ultimately praised the depth of the characterizations and Smith's ability to mix humor and adventure as perfect.[46]

Bob's Comics Review described the work as "Tolkienesque" in its compulsive progression from a simple comic tale to a sprawling epic. Although critical of the earlier issues, the writer came to enjoy the range of writing "from slapstick (the cow race is a classic), to the scary yet hilarious rat creatures, to intimations of high fantasy". Smith's sense of timing was praised as well as the creator's use of the silent panel and "repeated scene with variations of movement or perspective".[47]

In 2004, TIME critic Andrew Arnold called Bone "the best all-ages graphic novel yet published".[48]

In 2011, IGN ranked Bone 60th in the Top 100 comic book heroes.

In 2010, a Minnesota parent sought to have Bone banned from all elementary school libraries in the Rosemount-Apple Valley-Eagan School District, citing references in the work to smoking, drinking, and gambling. After a hearing, a school district committee voted 10 to 1 to keep the books on the shelves.[49][50] Other challenges and controversies that cite racism and political viewpoint as main problems have led to Bone's placement on the 2013 ALA Banned Books List.[51] Smith remarked himself that "Bone was not originally created with children in mind, so I never worried about the fact that children might read them". This being said, the comics are regarded by critics as applicable to any age group.

The fact that Bone comics are graphic novels also retains criticism. While Smith defends the graphic novel as an art form, and explains how the graphics have the potential to add new elements to a storyline, many critics and readers[who? ] do not consider them a serious form of literature.

Nominations

In the late 1990s, an attempt was made by Nickelodeon Movies to produce a film adaptation of Bone. Jeff Smith said in a 2003 interview that Nickelodeon wanted the Bone cousins to be voiced by child actors, and wanted the film's soundtrack to include pop songs by the likes of NSYNC. Smith's response was that one would never insert pop songs in the middle of The Lord of the Rings or The Empire Strikes Back, and therefore pop songs should not be placed in Bone either.[56]

In March 2008, Warner Bros. Pictures bought the film rights to the series.[57] Smith's website confirmed on March 13 that he had made a deal with Warner Bros. to adapt the Bone saga into a film series.[58] Further information was given in July 2011, citing that "two scripts have already been written and rejected—a third is currently in the works and will most likely yield three separate, computer-animated, 3-D films".[59] In January 2012, Patrick Sean Smith, the creator of TV series Greek, was hired to write an adaptation, and that P. J. Hogan was attached to direct the feature, to be produced by Lin Pictures and Animal Logic.[60] In November 2016, Mark Osborne had been hired to direct the animated adaptation for Warner Animation Group. Osborne, along with Adam Kline, were set to write the film, which would have been the first in a planned trilogy.[61] As of 2019, the project has been cancelled in favor of a Netflix series.[15]

In 1996, the toy manufacturer Resaurus released Series One of a Bone action figure line, featuring: Fone Bone with Rat Cub, Thorn, Smiley Bone, and Rat Creature. Five years later, a second line was released with Gran'ma Ben, Phoney Bone, The Hooded One, and a deluxe boxed set of Kingdok. Two exclusive figures were released through the toy and comic magazine Previews: Hooded One (glow in the dark), and Phoney Bone as Ahab. Most recently, in 2007, "Dark Horse Comics Presents" released a 5-inch-high (130 mm) statue of Fone Bone, which is limited to 750 pieces and to be sold through Wizard magazine.

In 2005, video game studio Telltale Games developed an episodic adventure game series based on the comic. While five episodes were planned, only two were ultimately released.[62] The first episode, Bone: Out from Boneville, was released on September 15, 2005, and the second, The Great Cow Race, on April 12, 2006. Both were available in downloaded or boxed form on Telltale's website for Windows-based PCs. The games were also available via Steam, but were delisted following Telltale's closure.

Bone: Legacy is a sequel trilogy of novels following the adventures of new Bones in their quest in the Valley. The first installment, Part I: Quest for the Spark, was released on February 1, 2011. The second installment, Part II: Quest for the Spark, was released on February 1, 2012.[37] The third and final installment to the trilogy, Part III: Quest for the Spark, was released on February 1, 2013.

In October 2019, Netflix secured the rights to the comics, and are intending to produce an animated kids' series based on it.[15]